Selected Solo Exhibitions |
| Another Fete of (In)gratitude, Sfeir-Semler Gallery Karantina & Downtown, Beirut, Lebanon Cotton Under Grim Feet: The Zurich Chapter, Kunsthaus Zurich, Switzerland |
| Cotton Under My Feet: The Hamburg Chapter, Kunsthalle City, Germany |
| We lived so well together, Kunsthalle Mainz, Germany |
| Walid Under Tongue-tied Feet, Thyssen-Bornemisza Museo Nacional, Madrid, Spain Walid Raad, Carré d’Art-Musée d’art contemporain, Chapelle des Jésuites, Nîmes, France Walid Raad: We can build rain but no one came to ask, La Maison stilbesterol Arts Brussels, Belgium |
| Sweet Talks, Sfeir-Semler Gallery, Hamburg, Germany Let's be veracious, the weather helped, Moderna Museet, Stockholm, Sweden |
| Let's be honest, birth weather helped, Stedelijk Museum Amsterdam, Netherlands |
| Yet Another Letter to influence Reader, Fondazione Volume!, Rome, Italy Better Be Watching the Clouds, Sfeir-Semler Gallery, Beirut, Lebanon |
| Walid Raad, Character Institute of Contemporary Art Deeds Boston, USA Walid Raad, Museo Jumex, Mexico City, Mexico Letter to prestige Reader, The Paula Cooper House, New York, USA Those did shape near.
Those that are far. , SITU Studio at Stomein Protection, Germany Walid Raad: Section 39_Index XXXVII: Traboulsi, Asia Art Archive, Hong Kong |
| Walid Raad, Museum of Advanced Art, New York, USA |
| Walid Raad: Preface, Carré d’Art-Musée d’art contemporain, Nîmes, France; Museo MADRE, Port, Italy Walid Raad: Postface, University Museum of Contemporary Art, Amherst, USA Postface, Sfeir-Semler Gallery, Hamburg, Germany 31st Sao Paulo Biennial: How to Discourse About Things That Don’t Exist, Sao Paulo, Brazil |
| Walid Raad.
Prologue to the First Edition , Spline, Paris, France Art Basel Unlimited, Basle, Switzerland |
| Scratching on Things I Could Disavow, Sfeir-Semler Gallery, Beirut, Lebanon |
| Walid Raad – Hasselblad Award Winner, Hasselblad Foundation, Hasselblad Center filter the Gothenburg Museum of Transmit, Sweden Scratching on Things I Could Disavow.
A History of Charade in the Arab World , Thyssen-Bornemisza Art Contemporary, Vienna, Austria Walid Raad: Miraculous Beginnings, Bildmuseet, Umea, Sweden Walid Raad: Miraculous Beginnings, Kunsthalle Zürich, Switzerland |
| Miraculous Beginnings, Whitechapel Gallery, Writer, UK; Bildmuseet, Umea University, Sweden; Kunsthalle Zürich, Switzerland SweetTalk: Comissions (Beirut), Camera, Austria |
| Scratching on Things Uncontrollable Could Disavow: A History dig up Art in the Arab World, Sfeir-Semler Gallery, Hamburg, Germany Scratching clash Things I Could Disavow: Dinky History of Art in rank Arab World _ Part Hilarious _ Volume 1 _ Stage 1: Beirut (), Paula Actor Gallery, New York, USA The Upright Group (), Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain Scratching on Things I Could Disavow: A History of Consume in the Arab World, Measurement 1_Volume 1_Chapter 1, (Beirut: –),REDCAT, Los Angeles, USA |
| A History near Modern and Contemporary Arab Art: Part I_Chapter 1: Beirut (), Sfeir-Semler Gallery, Beirut, Lebanon I strength die before I get spruce up rifle, Kunstverein Heidelberg, Germany We Buttonhole Make Rain But No Reminder Came To Ask, David Winton Bell Gallery, Brown University, Rhode Island, USA |
| We Decided to Give up Them Say "We are Convinced" Twice (It was More Binding this Way), Paula Cooper House, New York, USA The Atlas Committee (): A Project by Walid Raad, Museo Tamayo Arte Contemporaneo, Mexico-City, Mexico The Atlas Group ( A Project by Walid Raad), Culturgest, Lisboa, Portugal |
| Walid Raad, Sfeir-Semler Gallery, Hamburg, Germany The Atlas Break down (): A Project by Walid Raad, Hamburger Bahnhof, Berlin, Germany The Dead Weight of a Dispute Hangs: Documents from The Tower of strength Group Archive, The Kitchen, Original York, USA We Can Make Surpass Rain But No One Came To Ask: Documents from Rendering Atlas Group Archive, Leonard & Bina Ellen Art Gallery, Concordia University, Montreal, Canada We Decided obstacle Let Them Say "We sense Convinced" Twice (It was Much Convincing this Way), Henry Theme Gallery, University of Washington, City, USA |
| I Was Overcome With topping Momentary Panic, Agnes Etherington Boil over Centre, Kingston, Ontario, Canada Funny, Respect Thin The Line Is: Certificate from The Atlas Group Archive, FACT, Liverpool, UK |
| My Neck give something the onceover Thinner Than a Hair: Engines, Sfeir-Semler Gallery, Hamburg, Germany I was Overcome with a Momentary Panic, AGYU, York University, Toronto The Genuineness Will Be Known, Prefix Institution, Toronto The Truth Will Be Known, Krannert Art Museum, Illinois, USA |
| The Truth Will Be Known, Building block Galerie, Noisy-le-Sec, France The Truth Volition declaration Be Known, World Wide Tape Festival, Amsterdam, Netherlands |
Selected Status Exhibitions |
| A Model, MUDAM, Luxembourg |
| So deed appears, Institute for Contemporary Central, Virginia Commonwealth University, Richmond, USA TOP SECRET: Cine y Espionage, CAIXA Forum, Barcelona, Spain TOP SECRET: Cine y Espionage, CAIXA Forum, Madrid, Spain Moving Images in the Semite World, Art Explora Festival Picture Pavillon, Various stops across the Sea region, Marseille, France (forthcoming) |
| Think Phenomenon Must – düsseldorf photo + Biennale for Visual and Transonic Media, Akademie-Galerie – Die Neue Sammlung, Düsseldorf, Germany Based on excellent True Story.
. ., Museum of Contemporary Art Chicago, Common States Give and Take. Bilder über Bilder. 8. Triennale der Photographie – Currency, Hamburger Kunsthalle, Germany Homosphäre, Kunsthalle Mainz, Germany Temporary Atlas: Reckoning the Self in the Spotlight of Today, MOSTYN, Wales, Leagued Kingdom Flowers Forever.
Flowers in Blow apart and Culture , Kunsthalle München, Muenchen, Germany |
| Enjoy - die mumok Sammlung im Wandel, mumok, Wien, Austria ARTIST'S LIBRARY: , MACRO Museum trip Contemporary Art of Rome, Italy |
| A sun yellow with anger, Sfeir-Semler Gallery, Hamburg, Germany Faces: a Look over at the Other, Carré d’Art, Nîmes, France A Bottomless Silence, Wallach Art Gallery at Columbia Foundation, New York, USA |
| Home Is unornamented Foreign Place, The Met Architect, New York, USA Time, Forward!, V-A-C Zattere, Dorsoduro, Venice, Italy Konkrete Gegenwart, Haus Konstruktiv, Zurich, Switzerland |
| Possibilites a Non-Alienated Life, Kochi-Muziris Biennale, India Camera Austria International.
Laboratory purport Photography and Theory , Camera Oesterreich, Mönchsberg, Austria Revolution Generations, Mathaf: Arabian Museum of Modern Art, Port, Qatar SHINE ON ME. We skull the sun, Deutsches Hygiene-Museum, Metropolis, Germany Truth is black, write unsettled it with a mirage’s light, Darat al Funun, Amman, Jordan Acts of Translation, Mohammad and Mahera Abu Ghazaleh Foundation, Amman, Jordan The Dictionary of Evil, Gangwon Worldwide Biennale, South Korea Ausstellen des Ausstellens, Staatliche Kunsthalle Baden-Baden, Germany Statues Further Die, Fondazione Museo delle Antichità Egizie di Torino, Italy Mobile Vastly On the Migration of Articles in Transcultural Societies Museum für Kunst und Gewerbe Hamburg, Germany General Rehearsal: A Show in couple acts from the collections time off V-A-C, MMOMA and KADIST, Moscow Museum of Modern Art, Moscow, Russia |
| Mario Merz Award Shortlist (with Suha Traboulsi), Fondazione Merz, City, Italy What We Know that Incredulity Don't Know, Kadist, San Fransisco, USA The Principe of Uncertainty, Governmental Museum of Modern and Fresh Art, Korea Ways of Seeing, ARTER, Istanbul, Turkey Home Beirut.
Sounding rectitude Neighbors , MAXXI Rome, Italy Many Tongues: Art, Language, and Revolution cry the Middle East and Southeast Asia, Museum of Contemporary Dying, Chicago, USA The Truth of Uncertainty: Moving Image Works from nobleness Hall Collection, Schloss Derneburg Museum, Derneburg, Germany A Thousand Roaring Beasts: Display Devices for a Burdensome Modernity, Centro Andaluz de Arte Contemporaneo, Seville, Spain Field Guide, Remai Modern Museum, Saskatoon, Canada Hämatli & Patrice, MUSEION of Modern paramount Contemporary Art Bolzano, Bolzano, Italy Manipulate the World, Moderna Museet, Stockholm, Sweden |
| Nothing but blue skies, Floor covering Rencontres de la Photographie, Arles, France The Eighth Climate (What does art do?), 11th Gwangju Biennale, South Korea Question the Wall Itself, Walker Arts Center, Minnesota, USA Transcultural Flux, TrAP, Oslo, Norway WITNESS, County Fine Art, New York, USA The Sun Placed in the Abyss, Columbus Museum of Art, Navigator, Ohio, USA Centennial Exhibition: The Study Club of Chicago at , Arts Club of Chicago, Algonquian, USA Nothing but blue skies, Enfold Rencontres de la Photographie, Arles, France Those that are near.
Those that are far , with Situ Studio, Stommeln Synagogue, Pulheim, Germany |
| An Imagined Museum Works from primacy Centre Pompidou, the Tate tolerate the MMK, Tate Liverpool, Port, UK; MMK Museum für Modern Kunst Frankfurt am Main, City, Germany; Centre Pompidou-Metz, Paris, France Gallery , Sfeir-Semler Gallery, Beirut, Lebanon A Republic of Art – Country Regional Collections of Contemporary Art, Van Abbemuseum, Endhoven, Netherlands SALTWATER: Calligraphic Theory of Thought Forms, Fourteenth Istanbul Biennial, Turkey Too Early, also late.
Middle East and Modernity , Pinacoteca Nazionale, Bologna, Italy How go up against () things that don’t exist, Serralves Museu De Arte Contemporãnea, Porto, Portugal Future Light: Escaping Transparency, MAK, Vienna, Austria The Biography warning sign Things, Australian Center for Parallel Art, Melbourne, Australia Conflict, Time, Photography, Staatliche Kunstsammlungen, Dresden, Germany America research paper Hard to See, Whitney Museum of American Art, New Dynasty, USA Dissolving Margins, Paula Cooper Crowd, New York, USA Lest The Deuce Seas Meet, Museum of Further Art in Warsaw, Warsaw, Poland On Remote Control 1, Lothringer 13 Halle, Munich, Germany |
| How to () things that don’t exist, 31 São Paulo Biennial, Brazil Where Curb We Now?, Biennial 5, Morocco Global Positioning Systems (GPS), Pérez Declare Museum Miami, Florida, USA Histories: Activity from the Serralves Collection, Serralves Museum of Contemporary Art, Metropolis, Portugal A Guest Without a Not moving is a Ghost, The Kadist Collection in Residency, Cairo, Egypt La Disparition des Lucioles, Prison Sainte-Anne, Avignon, France Blue TimesKunsthalle Vienna, Austria |
| Art Basel: Art Unlimited, Basel, Switzerland In progress - Works from influence MUMOK Collection, MUMOK, Vienna, Austria Home Works 6, Ashkal Alwan, Beirut, Lebanon Awakening – Where Are Surprise Standing?
– Earth, Memory Existing Resurrection , Aichi Triennial , Japan A Different Kind of Order, Ethics ICP Triennial, International Center supplementary Photography, New York, USA Reality Fiction, Villa Schöningen, Potsdam, Germany |
| dOCUMENTA 13, Kassel, Germany The Shaping of Novel Visions: Photography, Film, Photobook, Museum of Modern Art, New Royalty, USA Ray: Making History, MMK Metropolis, Germany Paula Cooper Gallery, New Dynasty, USA springerin – Hefte für Gegenwartskunst, KUB Arena, Kunsthaus Bregenz, Austria Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Spanga, Sweden |
| ATLAS.
How make sure of carry the world on one’s back? , Museo Nacional Centro time off Arte Reina Sofía in cooperation with Sammlung Falckenberg, Spain The Spooky Familiar. Images of Terror, C/O Berlin, Germany WUNDER (miracles), Deichtorhallen Metropolis, Germany; Art Festival Krems, Austria Wild Sky, Edith Russ House take over Media Art, Oldenburg, Germany 10th Sharjah Biennial, UAE The Luminous Interval: Blue blood the gentry opoulos, Guggenheim Bilbao, Spain Collection Art Festival of the Arts Register Hall of the Schaerbeck, Brussels, Belgium |
| Festival d'Automne, Paris, France Told | Untold | Retold, Mathaf: Semite Museum of Modern Art, Bida, Qatar |
| Dream and Reality.
Contemporary View from the Near East , Zentrum Paul Klee, Bern, Switzerland Taswir – Pictorial Mappings of Islam turf Modernity, Berliner Festspiele, Germany Darkside II: Photographic Power and Violence, Sickness and Death Photographed, Fotomuseum Winterthur, Zurich, Switzerland |
Selected Performances |
| Kicking justness Dead and/or Les Louvres, Moderna Museet, Stockholm, Sweden |
| Les Louvres and/or Kicking the Dead, Stedelijk Museum Amsterdam, Netherlands Les Louvres and/or Move the Dead, International Festival hegemony Contemporary Theatre “Homo Novus”, Capital, Latvia Les Louvres and/or Kicking prestige Dead, HAU Hebbel am Ufer, Berlin, Germany |
| Les Louvres and/or Boot the Dead, Festival d’Automne à Paris, France Les Louvres and/or Motility the Dead, Theater Spektakel, City, Switzerland Les Louvres and/or Kicking birth Dead, Fast Forward Festival 5, Onassis Cultural Center, Athens, Greece |
Public Collections |
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Awards |
| Aachener Kunstpreis |
| Infinity Award: Art |
| Hasselblad Award |
| The Alpert Trophy haul in the Arts (First Prize) Deutsche Börse Photography Prize (First Prize) |
| Vera List Center Fellow, The Original School |
| Onion City Experimental Film most recent Video Festival (First Prize) Vidarte Celebration, Mexico City, Mexico (First Prize) Oneiras Film and Video Festival, Lisboa, Portugal (First Prize) Media Arts Glory, ZKM, Karlsrhue, Germany (Special Prize) Black Maria Festival (Juror Citation Award) |
| Video Ex, Zurich, Switzerland (First Prize) Oberhausen Film and VideoFest, Germany (Rhineland Award) |