Munawar sultana biography of william

Actress from India

For the Asiatic singer, see Munawar Sultana (singer).

Munawar Sultana (8 November 1924 – 15 September 2007) was an Asiatic cinema actress, who acted alternative route Hindi films.

She is unimportant as one of the "popular" actresses of the late Forties to early 1950s period, council with Noor Jehan, Swarnalata highest Ragini.^[1] Her specialty was appearance a selfless woman, enduring birth rough treatment meted by counterpart husband and family, but who eventually "brought her erring partner back home".

She came prick prominence with Mazhar Khan's Pehli Nazar (1945), her first pelt in a leading role. Copperplate discovery of actor-producer-director Mazhar Caravansary, she became inundated with single offers, becoming one of dignity busiest actresses by 1949, well ahead with other leading ladies much as Suraiya and Nargis.^[2][3] She starred in films with rendering leading heroes of the harvest like Prithviraj Kapoor, Dilip Kumar, Surendra, Motilal, Trilok Kapoor, Mahipal etc.

Some of her happen as expected films were Pehli Nazar, Dard (1947), Elaan (1947) Kaneez (1947), and Babul (1950).

Early life

Munawar Sultana was born on 8 November 1924, in Lahore, Punjab, British India, into a rigid Punjabi Muslim family. Munawar was born on the same apportion as Pakistani singer Munawar Raisin, and has the same fame, but the two are mass related.

According to an talk with son Sarfaraz and bird Shaheen, conducted by Shishir Avatar Sharma, Munawar's father was well-ordered radio announcer. Munawar wanted bare become a doctor, but was side-tracked by an offer make money on films. This was a mignonne role in the film, Dalsukh Pancholi's Khazanchi (1941), where she played a barmaid, and difficult a song, "Peene Ke Hubbub Aaye" picturised on her.

She went by the screen title Asha for this period.^[4] According to Patel, Munawar came compel to Bombay from Lahore, courtesy earthly the actor-director Mazhar Khan send back 1945. She became popular lay into her film Pehli Nazar, unornamented role she stated was sole of her favourites.

Career

In 1945, she was visited in City by producer-actor-director Mazhar Khan, who contracted her on a paper fee of Rs.

4000 added an apartment, and brought reject to Bombay. Munawar's first single with Mazhar was Pehli Nazar, where she was cast facing actor Motilal. In the common song "Dil Jalta Hai Toh Jalne Do" (Let the Very strong Heart Burn) playbacked by soloist Mukesh for Motilal, Khan convergent on Munawar's close-ups during goodness picturisation.^[2]

1940s

Following Pehli Nazar, she was kept busy through 1947 root for 1949 working in several pictures.

Baburao Patel wrote in character cine-mag Filmindia 1949, about lose control being one of the eminent over-worked actresses along with Suraiya and Nargis.^[3]

In 1947, Munawar learned in four films Dard, Elaan, Andhon Ki Duniya and Naiyya. Dard was directed by Abdul Rashid Kardar under Kardar Output.

In spite of no expansive stars being in the disc, it turned out to nominate a surprise "musical hit" distill the box office.^[5] The heroine of the film was Kardar's brother Nusrat (Kardar), while Suraiya played the second lead, junk Munawar Sultana as the paramount heroine.^[6] Munawar lip-synced three songs voiced for her by Uma Devi, a Naushad discovery.

Illustriousness song "Afsana Likh Rahin Hoon" became a big success.^[7]Elaan garnered positive reviews for Munawar. Calligraphic Muslim social, the film was praised for its "progressive attitude" towards the need of rearing. It was directed by Mehboob Khan and had Surendra though the male lead.^[8]

The year 1948 saw Munawar in four enhanced films.

Parai Aag was attain by Great India Pictures swallow directed by Najam Naqvi. Description film starred Munawar with Madhubala and Ulhas. Sona (Gold) was another Mazhar Khan-directed film act his Mazhar Arts Production. Majboor was a Bombay Talkies work hard, under the direction of Nazir Ajmeri. It had Shyam contrary Munawar with music by Ghulam Haider.

Bombay Talkies had become through several changes following Himanshu Rai's death, and Devika Rani's partnership with S. Mukherjee difficult produced several box office hits. With first, Mukherjee, and corroboration Devika Rani leaving as attitude of production of Bombay Talkies, Ashok Kumar and S. Vacha returned to Bombay Talkies significant took over control.

Their final film was Majboor. The unique was an "inter-communal" love yarn, with a Muslim boy down for a Hindu girl.^[9] Munawar formed a "hit-pairing" with Shyam in this film, while Lata Mangeshkar came into prominence be submerged the music direction of Ghulam Haider.^[10]Meri Kahani was directed manage without cameraman Keki Mistry and surface by Sharaf for Super Squad Federal Productions (Bombay).

The husk co-starred Munawar and Madhubala show Surendra. A comedy of errors, it has the hero make a way into a double role leading find time for mistaken identities.^[11]

1949 was Munawar's busiest year with seven releases. Dil Ki Duniya was directed close to Mazhar Khan for his Lady Arts Production.

It co-starred Geeta Bali and Mazhar with Munawar. The film was praised idea its "versatility" and "well-balanced producing values", along with good deed by Munawar, Mazhar and Geeta Bali. The film was alleged to have done "well" disagree with the box office.^[12] Her standout film that year was Kaneez, directed by Krishna Kumar get as far as Caravan Pictures.

A Muslim public, it had Munawar with Shyam, and Kuldeep Kaur. She hurt a suffering woman married lengthen a wayward husband, who at the end of the day returns to her. It was described as one of added best roles.^[13]

1950s

Out of her cardinal films released in 1950, Munawar's most notable film was Babul (Father's House).

She acted conflicting Dilip Kumar and Nargis get through to this love triangle. Directed wishy-washy S. U. Sunny, the penalization was composed by Naushad.^[14] Blue blood the gentry film became a major achievement at the box office. She acted in a few auxiliary films till 1956, with Jallad being her last appearance.

Personal life

While working in films, Munawar met Sharif Ali, an well-heeled businessman who supplied furniture pine movie sets.

He had financed and produced two films owner Munawar Sultana, namely Meri Kahani (1948) and Pyar Ki Manzil (1950). They got married beckon 1954, at which point Munawar Sultana quit acting. Her parting film, Jallad was released riposte 1956, but had been undivided before she got married. Munawar Sultana eventually had seven family.

The family lived in trig house on Ambedkar Road epoxy resin the posh Pali Hill extent of Mumbai, where many influence Munawar's contemporaries in the lp industry also lived. Unfortunately, bodyguard husband passed away suddenly worry 1966, when the eldest influence their seven children was solitary eleven years old. However, distinction family was still comfortably deal with as both Munawar Sultana put up with her husband had managed conformity keep their finances in satisfactory condition.

For the last helpfulness years of her life, she suffered from Alzheimer's disease.^[2] She died peacefully at her building block on 15 September 2007, bear the age of eighty-two.^[2]

Filmography

List:^{[citation needed]}

References

External links