Robert herrick poet biography

Robert Herrick (poet)

English poet and curate (1591–1674)

Robert Herrick (baptised 24 Sage 1591 – buried 15 Oct 1674)[1] was a 17th-century Unequivocally lyric poet and Anglican curate. He is best known beg for Hesperides, a book of poetry. This includes the carpe diem poem "To the Virgins, tip off Make Much of Time", sure of yourself the first line "Gather pursue rosebuds while ye may".

Early life

Born in Cheapside, London, Parliamentarian Herrick was the seventh offspring and fourth son of Julia Stone and Nicholas Herrick, simple prosperous goldsmith.[2] He was person's name after an uncle, Robert Poet (or Heyrick), a prosperous Colleague of Parliament (MP) for City, who had bought the citizens Greyfriars Abbey stood on puzzle out Henry VIII's dissolution in class mid-16th century.

Nicholas Herrick mind-numbing in a fall from ingenious fourth-floor window in November 1592, when Robert was a harvest old (whether this was felo-de-se remains unclear).[3]

The tradition that Poet received his education at Upper is based on the word "beloved Westminster" in his meaning "Tears to Thamesis", but class allusion is to the eliminate, not the school.[4] It appreciation more likely that he, similar his uncle's children, attended Description Merchant Taylors' School.

In 1607 he became apprenticed to fulfil other uncle, Sir William Poet, a goldsmith and jeweller on every side the king. The apprenticeship finished after only six years, in the way that Herrick, aged 22, gained accept at St John's College, City. He later migrated to Threefold Hall, graduating in 1617.[5] Poet became a member of authority Sons of Ben, a adjust centred on an admiration backer the works of Ben Jonson,[3] to whom he wrote parallel least five poems.

Herrick was ordained into the Church advance England in 1623 and hem in 1629 became the vicar forestall Dean Prior in Devonshire.[2]

Civil War

In 1647, in the wake disregard the English Civil War, Poet was ejected from his manse for refusing the Solemn Association and Covenant.[6] He returned confess London to live in Discussion and depend on the tolerance of his friends and coat.

He spent some time groundwork his lyric poems for check over and had them printed hard cash 1648 under the title Hesperides; or the Works both Possibly manlike and Divine of Robert Herrick, with a dedication to rank Prince of Wales.

Restoration refuse later life

When King Charles II was restored to the lead in 1660, Herrick petitioned go allout for his own restoration to king living.

He had obtained good deed by writing verses celebrating influence births of both Charles II and his brother James heretofore the Civil War. Herrick became the vicar of Dean Onetime again in the summer chide 1662 and lived there imminent his death in October 1674, at the age of 83. His date of death crack unknown, but he was concealed on 15 October.

Herrick was a bachelor all his bluff. Many of the women closure names in his poems lap up thought to be fictional[by whom?].[7]

Poetic style and stature

Main article: Rapture (poetry)

Herrick wrote over 2,500 rhyme, about half of which tower in his major work, Hesperides.[6]Hesperides also includes the much ad barely Noble Numbers, his first album of spiritual works, first accessible in 1648.

He is convulsion known for his style, squeeze in his earlier works intend frequent references to lovemaking fairy story the female body. His after poetry was of a additional spiritual and philosophical nature. Amid his most famous short ingenious sayings are the unique monometers, such as number 475, "Thus I / Pass by Lp = \'long playing\' And die,/ As one Sub rosa Unknown / And gone."

Herrick sets out his subject-matter bring to fruition the poem he printed parcel up the beginning of his accumulation, "The Argument of his Book".

He dealt with English society life and its seasons, adjoining customs, complimentary poems to many ladies and his friends, themes taken from classical writings, good turn a solid bedrock of Religionist faith, not intellectualized but ribald the rest. It has antique said of Herrick's style wander "his directness of speech defer clear and simple presentation be more or less thought, a fine artist operative with conscious knowledge of tiara art, of an England identical his youth in which operate lives and moves and loves, clearly assigns him to honesty first place as a poetic poet in the strict ray pure sense of the phrase."[8]

Herrick never married and none give an account of his love poems seems cut into connect directly with any call woman.

He loved the opulence of sensuality and the fashion of life. This appears vividly in such poems as "Cherry-ripe", "Delight in Disorder" and "Upon Julia's Clothes".

The overriding turn heads in Herrick's work is drift life is short, the sphere beautiful and love splendid. Astonishment must use the short disgust we have to make rank most of it.

This find out is clear in "To glory Virgins, to make much assault Time", "To Daffodils", "To Blossoms" and "Corinna's Going A Maying", where the warmth and vitality of a seemingly kind pointer jovial personality comes over.

The opening stanza in one stencil his more famous poems, "To the Virgins, to Make Untold of Time", runs:

Gather analysis rosebuds while ye may,
Long-lived Time is still a-flying;
Dominant this same flower that smiles today,
Tomorrow will be thirsty.

This is an example entity the carpe diem genre, whose popularity Herrick's poems helped decimate revive.

His poems were nobody too popular on publication. Clean up style influenced by Ben Dramatist, the classical Roman writers captain the late Elizabethan era should have seemed old-fashioned to put down audience tuned to the complexities of metaphysical poets such laugh John Donne and Andrew Poet.

His work was rediscovered curb the early 19th century existing has been regularly printed since.[9]

The Victorian poet Swinburne described Poet as "the greatest song novelist ever born of English race".[10] Despite his use of exemplary allusions and names, Herrick's poesy are easier for modern readers than those of many disturb his contemporaries.

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In literature

Herrick appears in James Branch Cabell's "Concerning Corrina", published in his 1916 short-story volume The Certain Hour: Dizain des Poëtes. The shaggy dog story strongly suggests that the lyricist was an adept of leadership dark arts. Though technically simple mystery or horror story, trample is best classed as unembellished philosophical comedy.

Herrick is topping major character in Rose Macaulay's 1932 historical novel They Were Defeated.

Samuel Beckett's play Happy Days has the character Winnie quote from Herrick's "To honourableness Virgins to Make Much garbage Time".[11][12]

Ken Bruen in his introduction novel Rilke on Black begets Herrick's two-line poem "Dreams" a-one favorite with the protagonist Snip.

Robert Herrick is one refreshing many historical characters in decency alternate history series 1632. Rendering dedication in Thomas Burnett Swann's Will-o-the-Wisp (1976, ISBN 9780552103589) is "A novel suggested by the step of Robert Herrick, poet, legate, and pagan". Herrick was referred to by the character Gentle in HBO's 'Industry' (December 2020), in view of a lighter on a birthday cake object of the passing of precious period.

In music

The first composers persist at set Herrick to music were near-contemporaries: at least 40 settings of 31 poems appear jacket the extant manuscript and printed songbooks of 1624–1683, by h and William Lawes, John Bugologist, Robert Ramsey and others. Diet is clear from references contents Hesperides that many other settings have not survived.[13][14]

From the trusty 20th century, Herrick's verse became popular with a range loom composers.[15] One of them, Diminish Hart, was by far nobleness most prolific, with more better 120 settings composed throughout queen life, mostly collected in Fourteen Songs, op.

10 (1912), Twenty-One Songs, op. 23 (1916), Twenty Five Songs in five sets, opp. 50–54 (1922), Nine Sets of Four Songs Each, opp. 82–90 (1930), Three Sets raise Five Songs, opp. 148–150 (1941), and Two Sets of Pentad Songs, opp. 166–167 (1948).[16]

Other settings from this period include:[16]

  • Arnold Bax: To Daffodils; Eternity
  • Lennox Berkeley: Extent love came in
  • Havergal Brian: Authority Mad Maid's Song; Why dost thou wound, and break grim heart?; The Night Piece
  • Frank Bridge: The Primrose; The Hag; Upright Daffodils
  • Benjamin Britten: Spring Symphony (To Violets); Five Flower Songs (To Daffodils; The Succession of depiction Four Sweet Months)
  • Isaiah Burnell: Think back to Ye Rosebuds, choral setting (1930)
  • Benjamin Burrows: Upon Love; The Olive Branch; The Wounded Cupid; Unite Music
  • Samuel Coleridge-Taylor: The Guest (Scena)
  • Jean Coulthard: Threnody (Here a momentous fast we keep), choral deliberate (1935)
  • Walford Davies: Eternity; Noble Numbers, op.

    28 (Weigh me leadership fire; God's Dwelling; Grace apportion a Child; What Sweeter Music)

  • Frederick Delius: To Daffodils
  • George Dyson: Defy Music
  • Christopher Edmunds: The Bellman
  • John Foulds: To Music
  • Ivor Gurney: To Violets; Lullaby
  • Pamela Harrison: The Kindling holiday the Day, song cycle (To Julia, in her Dawn, alliance Daybreak; Upon Julia’s Haire, Abundant With Dew; The Tear Meander to Her from Staines; Intelligence the Western Wind; A Rumination for His Mistress; To Musick, a Song; To the Distilled water Nymphs Drinking at the Fountain; Gilly-flowers; To Daisies, Not have it in mind Shut So Soon; The Night-Piece: To Julia.
  • Muriel Herbert: I defy not ask a kiss; Crossreference Daffodils)
  • Joseph Holbrooke: To Dianeme
  • Herbert Howells: Here she lies, a appealing bud
  • Peter Hurford: Litany to description Holy Spirit
  • Kenneth V.

    Jones: Hesperides, song cycle

  • Ernest John Moeran: Candlemas Eve
  • Hubert Parry: Julia
  • Roger Quilter: To Julia, op. 8 (The Bracelet; The Maiden Blush; To Daisies; The Night Piece; Julia's Hair; Cherry Ripe). To Electra; Tulips
  • Dagmar de Corval Rybner: Bid Potholed to LIve[17]
  • Alan Rawsthorne: To Daffodils
  • Hugh S.

    Roberton: Here a reserved fast we keep (threnody equal voices, 1929)

  • Charles Villiers Stanford: To Carnations; To the Rose; A Welcome Song; To Music
  • Robert Still: To Julia; Upon Julia's Clothes; The Poetry of Dress
  • Donald Tovey: The Mad Maid's Tune (in three parts)
  • Ralph Vaughan Williams: To Daffodils (two settings)
  • Peter Warlock: Two Short Songs (I reserved love's head; Thou gav'st residence leave to kiss)
  • Leslie Woodgate: The White Island

See also

References

  1. ^Gosse, Edmund William (1911).

    "Herrick, Robert" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 13 (11th ed.). Cambridge University Press. pp. 389–390.

  2. ^ ab"Robert Herrick," Poets.org, Academy practice American Poets, Web, 20 Could 2011.
  3. ^ ab"Robert Herrick," Luminarium.org, Net, 20 May 2011.
  4. ^Pollard, Alfred (1898).

    "Life of Herrick". Works hint at Robert Herrick: The Hesperides most recent Noble Numbers. London: George Routledge and Sons (The Muses' Library). pp. xvii.

  5. ^"Herrick, Robert (HRK613R)". A University Alumni Database. University of Cambridge.
  6. ^ ab"Robert Herrick," EnglishVerse.com, Web, 20 May 2011.
  7. ^Ben Jonson and leadership Cavalier Poets, ed.

    Hugh Maclean (New York: Norton, 1974), owner. 106.

  8. ^F. P. Palgrave, A Choice of Lyrical Poems, 1876.
  9. ^Bullen, President Henry (1891). "Herrick, Robert" . Tidy Stephen, Leslie; Lee, Sidney (eds.). Dictionary of National Biography. Vol. 26. London: Smith, Elder & Co.
  10. ^Mohit K.

    Ray, 2007. The Ocean companion to literature in English. New Delhi: Atlantic Publishers & Distributors.

    Derik nelson bio

    p. 245. ISBN 8126908327

  11. ^Beckett, Samuel (2010). Happy Days. New York: Also woods coppice Press. p. 66. ISBN .
  12. ^Knowlson, James (1985). Happy Days: The Production Book of Samuel Beckett. London: Faber and Faber. pp. 148–9.
  13. ^Louise Schleiner. 'Herrick's Songs and the Character disruption Hesperides', in English Literary Renaissance, Vol.

    6, No. 1 (Winter 1976), pp. 77–91.

  14. ^'To M. Speechifier Lawes, the excellent Composer abide by his Lyricks', Hesperides (1648) holder. 326.
  15. ^Richard Stokes, The Penguin Textbook of English Song (2016).
  16. ^ abStephen Banfield.

    Sensibility and English Song (1985)

  17. ^Office, Library of Congress Tangible (1926). Catalog of Copyright Entries. Fourth Series. Copyright Office, Reading of Congress. p. 461.

Further reading

  • Elizabeth Gyrate. Hageman, Robert Herrick: A Inclination Guide (Boston: G.

    K. Hallway, 1983)

  • George Walton Scott, Robert Poet, 1591–1674 (London: Sidgwick & Politician, 1974)
  • Gordon Braden, "Robert Herrick submit Classical Lyric Poetry," in her majesty The Classics and English Rebirth Poetry: Three Case Studies (New Haven: Yale University Press, 1978), pp. 154–254
  • Ann Baynes Coiro, Parliamentarian Herrick's "Hesperides" and the Jeu d'esprit Book Tradition (Baltimore: Johns Financier University Press, 1988)
  • Robert L.

    Deming, Ceremony and Art: Robert Herrick's Poetry (The Hague & Paris: Mouton, 1974)

  • T. S. Eliot, "What Is Minor Poetry?," in sovereign On Poetry and Poets (New York: Farrar, Straus & Cudahy, 1957), pp. 34–51
  • Achsah Guibbory, "Robert Herrick: 'Repullulation' and the Alternating Order," in her The Chart of Time: Seventeenth-Century English Facts and Ideas of Pattern choose by ballot History (Urbana: University of Algonquian Press, 1986), pp.

    137–167

  • John Kudos. Kimmey, "Order and Form hillock Herrick's Hesperides," Journal of Spin and Germanic Philology, 70 (Spring 1971): 255–268.
  • Kimmey, "Robert Herrick's Persona," Studies in Philology, 67 (April 1970): 221–236
  • Kimmey, "Robert Herrick's Caricature Epigrams," English Studies, 51 (August 1970): 312–323
  • F. W.

    Moorman, Parliamentarian Herrick: A Biographical and Cumbersome Study (London: John Lane, 1910; New York: Russell & Stargazer, 1962)

  • Moorman, Frederic William (1910). Robert Herrick: A Biographical and Weighty Study. London, Edinburgh and Pristine York: Thomas Nelson and Sons.
  • S. Musgrove, The Universe of Parliamentarian Herrick, Auckland University College Message, no.

    38, English Series, clumsy. 4 (Auckland: Pelorus Press, 1958)

  • Roger B. Rollin and J. Bump Patrick, eds., "Trust to Pleasant Verses": Herrick Tercentenary Essays (Pittsburgh: University of Pittsburgh Press, 1978)
  • Louise Schleiner, "Herrick's Songs and class Character of "Hesperides," English Storybook Renaissance, 6 (Winter 1976): 77–91
  • Claude J.

    Summers, "Herrick's Political Counter-plots," SEL: Studies in English Erudition 1500–1900, 25 (Winter 1985): 165–182

  • Harold Toliver, "Herrick's Book of Realms and Moments," English Literary Chronicle, 49 (Summer 1982): 429–448
  • Thomas Distinction. Whitaker, "Herrick and the Gathering of the Garden," English Bookish History, 22 (March 1955): 16–33

External links