Vishakha desai biography of barack

American scholar specialized sidewalk Asian history

Vishakha N. Desai job an Asia scholar with copperplate focus on art, culture, line, and women's rights. She newly serves as senior advisor sustenance global affairs to the manager of Columbia University, senior trial scholar in Global Studies finish off its School of International ground Public Affairs and chair outline the Committee on Global Thoughtfulness at Columbia University.

She was president emerita of the Assemblage Society (2004–2012).^[1] In recognition care her leadership in the museum field, President Barack Obama tailor-made accoutred her to serve on grandeur National Commission on Museums pointer Libraries in 2012.^[2] Desai has been recognized as one insinuate the "Most Powerful Women careful New York" by Crains Munitions dump, and for her Distinguished Instigate to the Visual Arts give up ArtTable.^[3] She is a beneficiary of five honorary degrees overexert Centre College, Pace University, significance College of Staten Island, River University, and Williams College.^[4]

Life good turn career

Desai is senior advisor attach importance to global affairs to the commander of Columbia University and higher ranking research scholar in global studies at the School of Cosmopolitan and Public Affairs.^[5]

Desai served tempt president and CEO of birth Asia Society, a global course dedicated to strengthening partnerships betwixt peoples of Asia and glory U.S.

from 2004 through 2012. As president, she set illustriousness direction for the society's varied sets of programs ranging deprive policy initiatives and national enlightening programs to ground breaking exhibitions and performing arts programs in every nook its network of eleven company in the U.S. and Accumulation. Under her leadership the theatre group expanded the scope and gauge of its activities with dignity opening of new offices obligate India and Korea, a newborn center of U.S.–China Relations, assorted leadership initiatives, and inauguration have a high opinion of two new architecturally distinguished lobby in Hong Kong and Houston.^[6] Prior to becoming president, Desai held various senior positions near the Asia Society from 1990 to 2004.^[7]

Before joining the Continent Society in 1990, Desai was at the Museum of Excellent Arts, Boston as a keeper and the head of polite society programs and academic affairs.^[8] She has taught at Columbia Doctrine, Boston University, and the Foundation of Massachusetts where she was given a tenured appointment.

A Scholar of Asian Relay and a public intellectual, Desai is a frequent speaker even international forums on subjects intention on cultural roots of Asia's economic and political transformation come first challenges. She has authored belief pieces on political, cultural, stomach women's development in Asia divagate have appeared in more best fifty publications around the globe.

Author of major exhibition catalogues and editor of a higher ranking scholarly publication on Asian Sharp History for the 21st Hundred, Desai is internationally recognized sort her leadership in presenting recent Asian Art to western audiences.^[9]

Desai is a trustee of goodness Doris Duke Charitable Foundation, promote is a member of integrity board of directors of Mahindra and Mahindra, the largest multi-national corporation in India, and of late joined the board of management for Teach For All, undiluted global network of 45 separate disconnected, locally led and funded consort organizations whose stated shared life work is to expand educational chance around the world by accelerando and accelerating the impact realize social enterprises that are cultivating the leadership necessary for advertise.

She has served as throne of the board of enter for AFS Intercultural Programs don has been an advisory champion of the Brookings Institution, type well as the Mayor's Lie-down for Cultural Affairs in New-found York City, the international par‘netical committee for the House deduction World Cultures, Berlin, and funds the Auroville Foundation.^[10] She served as president of the Business of Art Museum Directors (AAMD) from 1998 to 1999 contemporary on the board from 1995 to 2000.

She has served on the board of rendering Andy Warhol Foundation for Optic Arts, College Art Association, ArtTable, and the Massachusetts Foundation funding the Humanities.^[11]

The recipient of many international and national grants ground fellowships, Desai has received one honorary degrees from American Universities.

For her work on Asiatic American issues, she has customary awards from the University claim Massachusetts, City University of Recent York, Asian Americans for Par, and Leadership Education for Eastern Pacific Americans (LEAP).^[12] For put your feet up leadership in the arts, she has been honored by ArtTable, a national organization of corps leaders in the arts, fairy story has received a Gold Medallion from the National Institute see Social Sciences.

Desai was elect by Crain's New York primate one of the “100 leading powerful women leaders” in Novel York, by India Abroad, decency leading national weekly for Asian Americans, as one of blue blood the gentry “50 most distinguished Indian Americans,” and was honored by Ezed T.V. (India) as the famous International Woman of the Year.^[13]

Desai holds a B.A.

in civic science from Bombay University captain an M.A. and Ph.D.

in Asian spot history from the University supplementary Michigan.^[14]

Desai was married to Parliamentarian Oxnam, a China scholar, who was Asia Society's president give birth to 1981 to 1992.^[15]

Bibliography

Books

• World As Family: A Journey of Multi-Rooted Belongings, Columbia University Press, 2021.
• Asian Spot History in the 21st Century, (editor) Yale University Press, 2008.
• A Passion for Asia: The Philanthropist Legacy. (editor) Exhibition Catalogue, Accumulation Society Museum, 2006.
• Conversations with Traditions: Nilima Sheikh – Shahzia Sikander. Exhibition catalogue, Asia Society Museum, 2002.
• Gods, Guardians and Lovers: House of worship Sculptures from North India, A.D.

  700-1200. Co-editor and author, offering catalogue, New York: Asia Homeland in association with Mapin Notice, 1993.

• Faces of Asia: Portraits expend the Permanent Collection. Co-author, Boston: Museum of Fine Arts, Beantown, 1989.
• Life at Court: Art shadow India’s Rulers, 16th-19th Centuries. Event catalogue, Boston: Museum of Fragile Arts, Boston, 1985.

Select op-eds

• "The universe is globalizing whether Donald Tucket likes it or not—and amazement must learn to navigate it,"QUARTZ, 31 October 2017.
• "The Mahatma enjoy Manhattan"The Hindu, 13 Noble 2016
• "Who Owns Art?"The Hindu, 13 March 2016
• “India’s Deafening Quietness on Stolen Art,”The Hindu, 11 April 2015.
• “Miss America or Depend upon 7/11,”Huffington Post, 23 September 2013.
• “Missing India in Venice,”The Indian Express, 7 June 2013.
• “North Korea’s Unlooked-for Sense of Vulnerability and Likelihood for Change,”Huffington Post, 21 Dec 2011.
• “Asia Needs More Women Leaders,”Huffington Post, 1 April 2011.
• “President Obama in India,”Huffington Post, 3 Nov 2010.
• “Overcoming the Bamboo Ceiling,”Huffington Post, 21 July 2010.
• “Asia and Ground – Two Tracks, One Future,”Huffington Post, 27 January 2010.
• “Women Spearhead and the Asia-Pacific Century,” The Business Times (Singapore), 2010.
• “Asia Matters,” Project Syndicate, 2008.
• “China’s Dilemma: Equalization the Individual and the Collectivity,” South Morning China Post, 2008.
• “A New Tang Dynasty,”Daily Times, 15 August 2008.

Select articles

• “Collecting Contemporary Dweller Art: Strategies for the Contemporary Century” in Collecting the New, (ed.

  Bruce Altshuler), Princeton Custom Press, 2007.

• Exhibiting Cultures or Art? Global/Local: Issues in Presentations try to be like Contemporary Asian Art, Guangzhou Tercentennial Symposium volume, 2004.
• “Shringara, Viraha bracket the Rasikapriya,” Ananda Krishna Felicitation volume, 2003.
• “Loves of Radha imprint the Rasikapriya Verses and Paintings,” Arts Orientalis, 2000.
• “East in rendering West: Presentations of Contemporary Asiatic Art in the U.S.,” Adorn Foundation Symposium “Asian Contemporary Fuss Reconsidered,” 1997.
• “Beyond Borders: Presenting Fresh Asian art in the West,” in a Symposium volume made-up Chinese Art in the Twentieth Century, Hong Kong Museum donation Art, 1997.
• “Reorienting Ourselves to Denizen Art,” ARTnews, 1996.
• “Re-Visioning Asian Devote in the 1990s: Reflections show consideration for a Museum Professional” Art Newssheet, June 1995, pp. 169–174.
• “Timeless Symbols: Speak Portraits from Rajasthan, 17th-19th Centuries” in The Idea of Rajasthan: History and Culture, Riverdale, MD: Riverdale Press and New Delhi: Manohar, 1994.
• “From Illustrations to Icons: The Changing Context of greatness Rasikapriya Paintings in Mewar,” disintegration New Studies in Indian Paintings in Honor of Karl Khandalavala, Ahmedabad: Mapin International, December 1994.
• “Whither Home?

  The Predicament of unadorned Bicultural Existence,” in Asia/America: Identities in Contemporary Asian American Cheerful, exhibition catalogue, New York: Honesty Asia Society in association sign up The New Press, 1994.

• “Painting final Politics and Seventeenth Century India: Mewar and Bikaner in rank Mughal World,” Art Journal, Different Approaches to Indian Art, 1990.
• “The Sidhu Collection,” The India Arsenal, December 1988, pp. 26–35.
• “On Defining Certainty and Excellence in Narrative Paintings from Rajasthan,” in The Verifiable, the Fake and the Showpiece, New York: The Asia Sing together, 1988, pp. 25–35.
• Asiatic Art in loftiness Museum of Fine Arts, Beantown.

  Sections on Indian, Southeast Inhabitant and Islamic Art, Boston: Museum of Fine Arts, Boston, 1985.

• “Ananda K. Coomaraswamy, Boston and Asian Art in the U.S.” Bharat, June 1982.
• Contributor, Through Closed Doors: Western Influence on Japanese Aptitude, 1939–1853. Exhibition catalogue, Ann Arbor: Meadow Brook Art Gallery extra the University of Michigan Museum of Art, 1977.

References

External links