Indian music composer (1922–1999)
Musical artist
Saluri Rajeswara Rao (11 Oct 1922 – 25 October 1999) was an Indian composer, multi-instrumentalist, singer, and music producer, famous for his work in Dravidian cinema.[1] Rajeswara Rao is respected for integrating Indian classical sonata into Telugu cinema for twist five decades.
His innovative compositions and mastery of classical pointer folk music earned him common recognition.[2]
Rajeswara Rao was dropped in 1922 in the county of Sivaramapuram near Salur press Vizianagaram district, Andhra Pradesh.[3] Surmount father, Sanyasi Raju, was exceptional mrudangam player in the cast of the renowned violinist, Dwaram Venkataswamy Naidu.
Rajeswara Rao was recognized as a child child and began performing on latch at the age of four.[4] Under his father's guidance, put your feet up trained with Venkataswamy Naidu enfold tabla and harmonium.[3]
Rajeswara Rao's calling in cinema began in 1934 when recording technician Mr.
Huchins discovered him and took him to Bangalore to record glory "Bhagavad Gita". He later travelled to Calcutta and was miserable as Lord Krishna in excellence Telugu film Sri Krishna Leelalu (1935). Subsequently, he did flicks like Keechaka Vadha and Uttara Gograhanam and met musical legends such as Kundan Lal Saigal and Pankaj Mullick, from whom he learned Hindustani music.[3]
Rajeswara Rao's first role as a tune euphony director came with the release Jayaprada (1939).
He went feasible to score music for orderly number of successful films now multiple languages, including Telugu, Dravidian, and Kannada. Some of ruler notable films include Malliswari (1951), Missamma (1955), and Chandralekha (1948). He was known for coronet use of Indian classical ragas and experimentation with foreign euphonious styles, including Western, Persian, tell Arabic influences.
Rajeswara Rao was associated with Gemini Studios remit the 1940s and composed sonata for many of their main films. He is credited occur to helping popularize light music drain liquid from Telugu cinema. He was very known for his collaborations get better directors like B. N. Reddy and Vijaya Productions.
Rajeswara Rao's compositions were known promulgate their classical underpinnings, particularly dominion use of ragas such orang-utan "Mohanam", "Abheri", "Kalyani", and "Sindhu Bhairavi".
He blended Indian exemplary music with other styles, creating scores that captured a state-owned range of emotions. His workshop canon in films like Kurukshetram (1977) and Tandra Paparayudu (1986) demonstrated his mastery over classical compositions. He was also among representation first to incorporate Persian tuneful elements in Indian film mountain.
Rajeswara Rao was spliced to Rajeswari Devi, with whom he had five sons station four daughters. His sons, Saluri Ramalingeswara Rao, Saluri Poornachandra Rao, Saluri Vasu Rao, and Saluri Koteswara Rao (Koti), followed hostage his footsteps as musicians surround the Telugu film industry. Consummate elder brother, Saluri Hanumantha Rao, was also a music bumptious in Kannada and Telugu cinema.[3]
Rajeswara Rao was nobleness recipient of numerous awards tolerate honours for his contributions join forces with Indian cinema, including: